Canon 6D Mk II and EOS Rebel SL2 – HD cameras trapped in a 4K world

Canon have officially launched the Canon 6D Mk II and the EOS Rebel SL2. On paper they both look like decent stills cameras, but if you're still holding out for affordable 4K video from a Canon DSLR then you will be disappointed. Both cameras are limited to HD resolution with capture up to 60p.

This latest announcement only reaffirms what we already know. If you want a Canon camera for video, you need to get a C100, C300, or C700. Yes, I almost forgot the 5D Mk IV, but you can only record 4K using a crop of the sensor. In 2017 there is absolutely no reason why a camera like the 6D Mk II or EOS Rebel SL2 shouldn't be able to record UHD or 4K. All of Canon's main competitors have 4K-capable mirrorless or DSLR cameras.

EOS 6D Mk II

6D Mk II

The EOS 6D Mk II camera uses a full frame 26.2 Megapixel (approx. 35.9mm x 24.0mm) CMOS sensor and DIGIC 7 image processor in a DSLR body that weighs 765g. The camera features Dual Pixel CMOS AF that enables continuous automatic AF and AF tracking for stills and video. The camera features an ISO range of 100–40,000 for still and video capture.

The 6D Mk II also gets a Vari-angle touchscreen three inch ClearView LCD II monitor which makes it the first full frame Canon camera to have an articulating screen. This is really something they should have put on the 5D Mk IV.

For video shooters the 6D Mk II records in MOV, MP4, MPEG-4 AVC/H.264 @ 1920 x 1080: 59.97fps, 50fps, 29.97fps, 25fps, and 23.98fps. Video record times are limited to 29 Minutes, 59 Seconds. There is a 4K (UHD) time-lapse mode that connects still pictures to create a movie at either 29.97p or 25p at 500Mbps in Motion JPEG.

HD capture is at the following bitrates when recording in MP4:59.97p and 50p: 60Mbps29.97p, 25p, 23.98: 30Mbps

There is a built-in mic and Canon offers a small external video microphone. Also available is an HDMI out, but the camera doesn't have a headphone jack.

The camera has built-in Wi-Fi, NFC, Bluetooth, and GPS capability. You can use the free Canon Camera Connect app on a compatible iOS or Android device to shoot remotely from a distance, with control of settings such as aperture, shutter speed, ISO, focus and shutter release. Still images can be transferred between two wireless-enabled Canon cameras over a Local Area Network (LAN). Images and video can also be uploaded to the Canon Image Gateway.

The Canon 6D Mk II is now available to pre-order for $1,999 US.

EOS Rebel SL2

The Canon EOS Rebel SL2 camera uses a 24.2 Megapixel CMOS (APS-C) sensor and DIGIC 7 Image Processor with Dual Pixel CMOS AF. It also has Vari-angle touchscreen LCD which should make it a good option for Vloggers.

The Rebel SL2

Just like the 6D Mk II the EOS Rebel SL2 camera can capture Full HD movies at up to 60p at the exact same bitrates. The camera has an external microphone input as well as its internal microphone. Again there is no headphone jack.

The EOS Rebel SL2 will retail for $549 US

Canon 6D Mk II and EOS Rebel SL2: is this enough for video shooters?

Even though these cameras are aimed squarely at photographers, a lot of shooters now want to record both video and stills. The lack of 4K and no headphone jack on either of these cameras is a major oversight in my opinion and is sure to send potential buyers straight over to Sony or Panasonic.

What do you think about the canon 6D Mk II? Has Canon missed the boat again? Let us know in the comments section below.

Source: Canon 6D Mk II and EOS Rebel SL2 – HD cameras trapped in a 4K world

New Meike Nikon F Mount Lens To Mirrorless Camera Adapter

New Meike Nikon F Mount Lens To Mirrorless Camera Adapter  - Meike has released an adapter for Nikon F-mount lenses so they can be used on Mirrorless cameras.

Posted : 28 Jun 2017 2:46PM by ePHOTOzine 

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Meike has released another lens adapter but this time, it allows Nikon F Mount lenses to be used on Mirrorless cameras. 

The MEIKE MK-NF-P Adapter is compatible with a wide variety of Mirrorless cameras, including the Olympus E-P5 and Panasonic GF5, and it features an aluminium bayonet and all-metal body. 

No electrical contacts are found in the adapter so exposure and focus have to be set manually but there is a tripod mount built-in.

It's compact, easy to carry and comes with a front cover, rear cover and storage pouch plus, a 2-year warranty. 

The adapter is available now for £48.99 from Amazon UK.

Source: New Meike Nikon F Mount Lens To Mirrorless Camera Adapter

Review: The New Sony A9 Is A Mirrorless Monster

I want this Sony A9 ($4,498) to meet a horrible death. Something violent, like tumbling down the side of a mountain straight into a crevasse, or something poetic, like dropping 20 feet off the side of a boat into the ocean, then gliding gracefully another 12,000 feet, past a whale or two, its internal spaces steadily crushed by the pressure, to its final resting place with all the albino sea critters, where it will stay forever.

Think I'm not a fan? Quite the opposite. I want this camera to meet a miserable demise because it'll mean, in some small way, I've at least attempted to live up to this tool's potential. After all, that's what a camera is, a tool, not a snowflake. If I gin up the $4,500 necessary to purchase the A9 body alone — and then another $2,200 for the indisputably mandatory 24-70mm f/2.8 G-Master lens — I'll do it because nothing else can get me the results I'm hoping for, and you can bet your sweet bacon I'm not going to walk around with it in some prissy leather sheath. Nor will there be a lens cap anywhere to be found. Instead, this camera — my Holy Grail — will be carried like a military firearm, locked, loaded, and ready at a moment's notice. It'll be out and on me, swinging around, not squirreled away in a padded case.

The A9 is a ballerina in a commando's body.

If I'm doing my job right, an A9 in my possession, just like my current weapon of choice, the Sony A7RII ($2,698), will be subject to considerable peril despite its toe-curling upfront cost — trust me, I have to dig deep to afford my gear — and it will rack up the battle scars to prove it. Indeed, if I can't have a death like that for the A9, I'll settle for retiring it to a shelf when it finally can no longer withstand my abuse, with a thousand tiny, shiny silver divots in its black-anodized magnesium-alloy frame. Those silver scars in anodized metal — as you'll find in the instrument panel of any workhorse aircraft — are the secret Morse code of a life of adventure. You can keep your lightweight plastic housings. I'll carry the extra weight of the metal just to rack up the dents and dings, leaving a trail of microscopic black metal flakes around the world. Hopefully, each one will have been traded for a single fantastic image.

Specs: Sony Alpha A9

Lens Mount: E-mountSensor: 42MP, 35mm full frame, Exmor R CMOSExposure: up to 1/32,000

Buy Now: $4,498 (Body Only)

As for why I'm willing to subject this fine, expensive instrument to such wanton abuse — well, the answer is in the engineering. Cameras like this — professional grade, designed for active, high-intensity environments as much as precision studio work — are made with a degree of mayhem in mind. They're hardened, even though they produce results that can be as delicate as, well, a snowflake.

The A9 is precisely that. Its hyper-sensitive 24 megapixel full-frame sensor generates terrific low-light images, with lush colors and crisp detail, while its advanced processing allows withering 24 frame-per-second shooting with full autofocus tracking. It can be programmed to identify human eyes and lock focus on them—in photography, if the eye is out of focus, the shot is useless — yet fire off shots at 1/32,000 of a second to freeze time. Its mirrorless design lets you take pictures in absolute silence, so as not to disturb your human or animal subject or reveal your shooting if you're trying to be stealthy, and it does this without ever blacking out the view in as your shooting. (I.e., no more flicker while you're burning off those 20 fps action shots.) In short, the A9 is a ballerina in a commando's body.

Frankly, I wouldn't want to let either of those two down. I've been shooting with a borrowed A9 for a few weeks, and have been steadily blown away by the results. I now feel compelled to tap the camera's enhanced functionality as much as possible, so in that respect the camera is essentially forcing me to be a better shooter. It has the bandwidth for world-class results, even if I'm still acquiring the skills to achieve them myself.

Soon, the camera will go back to Sony, and I'll have to make a decision. My A7RII remains an astounding product — and in fact, its 42 MP sensor remains far more versatile in terms of dialing in your edits after the shoot. (The A9 has fewer megapixels in order to achieve the higher framerate.) But while it will continue to serve, the A9 offers another layer of potential that simply can't be beaten anywhere else. So I suspect one day soon I'll upgrade, and perhaps my own A9 will tremble in my presence as much as I tremble before it.

More From The Grails Issue

An exploration of the products in our lives that are so singular, so special and so intensely personal that no others compare. From brand new multi-million-dollar jets, to Brazilian rosewood furnishings, to the most prized bottles in a beer collector's cellar, these are Grails. Read the Stories

Source: Review: The New Sony A9 Is A Mirrorless Monster

Live Music Photographer Chad Wadsworth Lightens His Load with Sony Mirrorless Cameras (Sponsored)

Kehlani backstage before her set at ACL Fest 2015. Shot with the Sony RX1

Spoon photographed in Jim Eno's studio on December 20th, 2016 – Almost 11 years to the day of Wadsworth's first concert shoot with the band in 2005. Shot with the A7RII

Austin music photographer Chad Wadsworth is persistent. Early on in his career, he shot live events just for the joy of it– without any guarantee that his pictures would be published anywhere. If he didn't have tickets, he'd show up anyway and hope for the best. A lot has changed over the course of his career, but one thing remains the same: rain or shine, Wadsworth is willing to go the extra mile. In fact, the last time he photographed Austin City Limits music festival (it was his tenth time shooting there), he walked thirty-three miles over the course of a single weekend.  

Music photography is a challenge anywhere, let alone in "The Live Music Capital of the World," but Wadsworth has managed not only to break into the industry but also to stay on top of it. His pictures continue to grace the pages of magazines like Rolling Stone, Pitchfork, and SPIN, and he holds the title of Global Red Bull photographer.

Wadsworth has also been named a Sony Artisan of Imagery, joining an elite group of some of the world's best photographers. In this role, he will work alongside the brand to help develop the next generation of cameras.

"Festivals are a war waged on the body," Wadsworth has said. But since he's teamed up with Sony and switched over to their lightweight series of mirrorless cameras, it's all gotten much easier. He still has to be persistent– that's the name of the game in music photography– but now, he has the freedom to move and catch the elusive moments others might miss.

Courtney Barnett exits the stage after a triumphant 2016 Coachella set. Shot with the Sony RX1RII

You knew you wanted to be a music photographer when you were in high school. Did you have any great mentors early on— either in real life or in the media— who encouraged you to pursue it?"I wish, but no. My interest in photography took a back seat during my college and early work years. It wasn't until I moved to Austin, TX, in 2005 that I decided to jump in. Spoon, one of my favorite bands, was headlining a local show at the Parish on 6th Street, so I figured, 'Why not give it a try?'

"I called up a local radio station and asked them if I could cover the show for them. They declined, so I got my first taste of rejection. I brought my camera anyway. What a rush that first time was! And the photos weren't too horrible. I sent them to the radio station in the morning; they liked them, and that started me on the road to shooting more live music."

Run the Jewels playing in a torrential downpour during Day for Night Festival, Houston, TX 2016. Shot with the Sony RX1RII

What do you wish someone had told you early on about photographing live music?"When I started, there weren't many people in the pits. Digital photography was just starting to take off, but photography was still expensive, and the technology was not friendly to low-light concerts.

"The biggest lesson I learned was to be a photojournalist in the most traditional sense. In those first years, I was obsessed only with what was happening on stage, ignoring the fans, the venue, and the general atmosphere. Shooting festivals helped break me of that bad habit."

Robert DeLong heats up the crowd at Coachella, 2016. Shot with the Sony a7RII

What makes Austin the perfect place for a music photographer?"There's no doubt that Austin has a historic and diverse live music scene, but what makes it the best town is the photographers. Some of the top music photographers call Austin home, and we have a super strong community. As a collective, we support and inspire each other."  

What's your secret to getting great crowd pictures?"There's no big secret. Just approach a live music shoot as a journalist. Take it all in. By staying open to the whole scene, you increase your chances of capturing something great."

Steve Aoki fans amidst the cake and water bottles at JMBLYA music festival in Austin, TX. Shot with the Sony a7RII with 16-35mm G Master f/2.8 lens

How did you become a Sony Artisan of Imagery?"I couldn't tell you exactly how I got on their radar, but what an honor it has been. The program is run by individuals who appreciate and respect the art and the history of the photographic medium.

"I recently got to travel with Sony Artisan, Magnum Photographer, and fellow Austinite Eli Reed, and during our trip home, he walked me through some of his retrospective images while waiting in the airport. I know many of your readers are familiar with his work, so I hope they will appreciate what a special opportunity that was."

Do you remember the first time you used a Sony full-frame camera at a live performance?"The first full-frame mirrorless model I used at a live performance was the original Sony a7. It was a moment I had been waiting several years for. For concerts, the a7 allowed me to lighten my bag dramatically and use unique adapted legacy lenses and small primes that I couldn't effectively mount on a DSLR. I bought an RXI soon after the a7, and that combination changed the way I shoot forever."

Jack Ü (Dipo and Skrillex) at Coachella 2016. Shot with the Sony a7RII

What camera and accessories do you always pack when you're going to a big festival?"You can walk as many as 15 miles a day at a festival like ACL or Coachella, so I don't pack much. Usually, I'll have one interchangeable lens body (a7RII or a9) and the RXIRII with its Zeiss 35mm f/2 lens for general atmosphere shots. I generally don't carry a big 70-200mm zoom; instead, I'll pack a couple fast primes. I'll bring some spare batteries, a power brick for charging my phone, a lens cloth, and most importantly, ear plugs.

Do the Sony cameras have any effect on how you connect and interact with subjects?"I can tell you with absolute certainty that the latest autofocus technology in the a9 is going to improve how we shoot portraits. Using the eye AF feature to track the subject's eyes, paired with 20fps drive, allows the photographer to interact with the subject in a more natural way. I find myself taking my eye away from the camera and looking right at my subject, letting the camera acquire focus. That's something I could never do with a DSLR."

Sony is a Feature Shoot sponsor.

Source: Live Music Photographer Chad Wadsworth Lightens His Load with Sony Mirrorless Cameras (Sponsored)

Panasonic GH5 Complete Review (by MirrorLessons): “One of the Best Mirrorless”

MirrorLessons published their full Panasonic GH5 video review saying "It's one of the best, if not the best mirrorless when it comes to ease of use". Superb review! Check out!

Conclusion from MirrorLessons:

The GH5 is a camera I really enjoyed using and reviewing. It's one of the best, if not the best mirrorless when it comes to ease of use. The number of buttons, degree of customisation and overall straightforwardness of its operation are flawless.

The improvements concerning the performance are many in comparison to its predecessor: faster autofocus, 5-axis stabilisation, enhanced functionalities like 6K Photo and of course, great image quality in the video department.

The Panasonic GH5 is a very impressive hybrid solution if you are interested in high quality stills and superior video capabilities.

Panasonic Lumix DC-GH5: $1,998 at Amazon, B&H, Adorama.

Read more: Best Lenses for Panasonic GH5 and Best Mirrorless Cameras 2017.

Related posts:

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Panasonic Lumix DMC-G85 Sensor Review (by DxOMark): Impressive IQ

Panasonic GH5 Gets Gold Award at DPReview (85% Overall Score)

Panasonic G7 Mirrorless Camera to be Announced around May 19

Panasonic Lumix DMC-G85 Gets Gold Award at DPReview

Source: Panasonic GH5 Complete Review (by MirrorLessons): "One of the Best Mirrorless"

Meike Nikon F Mount Lens To Fuji X-Mount Camera Adapter

Meike Nikon F Mount Lens To Fuji X-Mount Camera Adapter - Meike have launched a Nikon F Mount lens to Fuji Mirrorless X-Mount camera adapter.

Posted : 23 Jun 2017 9:28AM by ePHOTOzine 

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Meike have released an adapter that allows you to use your Nikon F Mount lenses on Fujifilm X-Mount bodies. 

The adapter ring is available for £48.99 on Amazon. It has an all metal design and an 8-scale manual adjustment aperture as well as a tripod mount built-in. 

It's compact, easy to carry and comes with front cover, rear cover, 2-year warranty and storage pouch. 

Buy on Amazon

Source: Meike Nikon F Mount Lens To Fuji X-Mount Camera Adapter

2017 Roundup: $1200-2000 interchangeable lens cameras: full-frame

Published Jun 23, 2017 | dpreview staff

Previous

1 Introduction

2 Next

Last updated: June 23, 2017

For those wanting to step up from entry-level to midrange ILCs, there are many things to consider, including the choice between a DSLR or mirrorless camera, what sensor size suits you best, how important video is to you, and of course the lens system.

While full-frame cameras typically offer superior low light image quality and more control over depth-of-field, crop-sensor cameras are extremely capable in their own right - and (usually) more compact and less costly.

We've split the $1200-2000 ILC marketplace into two segments - full-frame sensor cameras (discussed in this roundup) and crop-sensor (APS-C/Four Thirds) covered here.

This group of full-frame cameras is split right down the middle, with three DSLRs and three mirrorless models. Sony is, by far, the major player in the full-frame mirrorless market, with most of the other manufacturers sticking with DSLRs.

Here are the cameras we'll cover in this enthusiast full-frame roundup:

Published Jun 23, 2017 | dpreview staff

Previous

1 Introduction

2 Next

Last updated: June 23, 2017

For those wanting to step up from entry-level to midrange ILCs, there are many things to consider, including the choice between a DSLR or mirrorless camera, what sensor size suits you best, how important video is to you, and of course the lens system.

While full-frame cameras typically offer superior low light image quality and more control over depth-of-field, crop-sensor cameras are extremely capable in their own right - and (usually) more compact and less costly.

We've split the $1200-2000 ILC marketplace into two segments - full-frame sensor cameras (discussed in this roundup) and crop-sensor (APS-C/Four Thirds) covered here.

This group of full-frame cameras is split right down the middle, with three DSLRs and three mirrorless models. Sony is, by far, the major player in the full-frame mirrorless market, with most of the other manufacturers sticking with DSLRs.

Here are the cameras we'll cover in this enthusiast full-frame roundup:

Published Jun 23, 2017 | dpreview staff

Previous

1 Introduction

2 Next

Last updated: June 23, 2017

For those wanting to step up from entry-level to midrange ILCs, there are many things to consider, including the choice between a DSLR or mirrorless camera, what sensor size suits you best, how important video is to you, and of course the lens system.

While full-frame cameras typically offer superior low light image quality and more control over depth-of-field, crop-sensor cameras are extremely capable in their own right - and (usually) more compact and less costly.

We've split the $1200-2000 ILC marketplace into two segments - full-frame sensor cameras (discussed in this roundup) and crop-sensor (APS-C/Four Thirds) covered here.

This group of full-frame cameras is split right down the middle, with three DSLRs and three mirrorless models. Sony is, by far, the major player in the full-frame mirrorless market, with most of the other manufacturers sticking with DSLRs.

Here are the cameras we'll cover in this enthusiast full-frame roundup:

Source: 2017 Roundup: $1200-2000 interchangeable lens cameras: full-frame

Here’s a sling shoulder strap that works well for DSLR & mirrorless video shooters

I recently bought into the mirrorless video craze that is the Panasonic GH5. So far, so good.

But like most straps that come with the kit I wasn't a fan of the tourist type strap that Panasonic included with the GH5. It has a huge "LUMIX" logo emblazoned across it, and, worse still, it just looks very touristy — having the camera hanging off your belly in front, you know what I mean? Nothing wrong with that really (well maybe it's totally wrong), but it's less than ideal for video shooters.

So I began searching for a better solution. I wanted a strap that could secure the GH5 and be easy to use, without interfering with various shooting stances.

I found this thing:

From tourist to hipster. I'm not a fan of traditional camera straps, but this one as seen above on a smirking bro works great.

Trust me, I don't generally have that kind of expression as seen in the above stock photo from Amazon. Or at least I try not to smirk too much. Maybe if I had that haircut I would. I'm not sure.

Regarding this strap. It's made by a company called YRMJK. You just can't make this stuff up. It costs about $15 USD on Amazon.

And: it works great.

I like that it results in the camera riding off your hip, sort of like a holster.

The strap — "Belt Quick Rapid Shoulder Sling Neck for Camera" — attaches to the GH5, or any DSLR or mirrorless camera for that matter, to the bottom using a standard 1/4″ screw. The great thing about this is you can unclip the tether using the quick release. One downside potentially is that if you're switching back and forth between handheld and tripod shooting you'll need to remove the mount screw. Ideally, you'd want to use a strap like this purely for times when you're shooting handheld.

I've used the strap a few times now. Once for shooting a foodie event in Pebble Beach. And, last month shooting a travel video in Vancouver, Canada. I found the strap non-obtrusive, and essentially let me shoot comfortably all day and night. Eventually I'd forget it was there, and was able to just focus (ha) on my work at hand.

If you have a Panasonic GH series, or a Canon EOS such as the 70D or 80D or essentially any of the Rebel models, this YRMJK (seriously) will work on your camera, and might warrant a quick look if you're not a fan of the full-on tourist mode… not that there's anything wrong with that.

Happy shooting!

PS- Why I decided to shoot these below photos on this rug is a mystery to me. May the shag be with you.

Follow Stark Insider on Twitter and Facebook. Join our 9,000 subscribers who read SI on tablets and smartphones on Google Newsstand. Prefer video? Watch us on Amazon Prime or subscribe to Stark Insider on YouTube, the largest arts & travel channel in San Francisco.
Source: Here's a sling shoulder strap that works well for DSLR & mirrorless video shooters

Top 13 Best Premium Compact System Cameras 2017

The mirrorless camera, or compact system camera (CSC), lets you change lenses, as well as providing DSLR sized sensors with DSLR image quality in a much more compact camera body. With a rapid refresh cycle, there is a number of new cameras introduced each year, with many offering innovative new features. Here we highlight the best advanced Compact System Cameras with a built-in electronic viewfinder (EVF).  

Click the camera names to read our full reviews of these cameras to see how they have scored, as well as the pros and cons of each model. To check the latest prices, you can click the green "Check Latest Price" buttons. 

Here we highlight the best of the bunch, starting with Number 1:

1. Sony Alpha A7R Mark II 

The 42.4 megapixel Sony Alpha A7R Mark II offers a backlit full-frame CMOS sensor, 4K video recording, 5-axis sensor based image stabilisation, ISO50 to ISO102400, 5fps continuous shooting, and a tilting 3inch screen. There is a large, high-resolution electronic viewfinder (2.36m dots), and built-in Wi-Fi. 

Buy on Amazon

2. Olympus OM-D E-M5 Mark II 

The 16 megapixel Olympus OM-D E-M5 Mark II is an impressive camera, with a range of features to suit all aspects of photography, from the video enthusiast, who will benefit from the 5-axis image stabilisation, or someone looking for high resolution (stills) photography, the 40-megapixel mode will be very appealing. The camera is much cheaper than any alternative 36mp+ camera and the camera produces excellent images, with an abundance of options and settings available. There is a large, high-resolution electronic viewfinder (2.36m dots), ISO100 to ISO25600, a vari-angle touch-screen, built-in Wi-Fi, 10fps continuous shooting, and a weather sealed camera body. 

Buy on Amazon

3. Panasonic Lumix GX80 

The Panasonic Lumix GX80 has a 16 megapixel Micro Four Thirds sensor, 5-axis in-camera sensor based image stabilisation, 4K video recording and a sensor without the optical low pass filter, for improved resolution, contrast and colour reproduction. The Panasonic Lumix GX80 offers a compelling set of features and delivers images with very good colour and is capable of producing images with excellent detail, although does benefit from the use of high-quality lenses to get the best out of the camera.

Buy on Amazon 

4. Olympus OM-D E-M10 Mark II 

The 16 megapixel Olympus OM-D E-M10 Mark II is the entry level Olympus OM-D model, yet features the same 16-megapixel sensor as the E-M5 Mark II, as well as 5-axis image stabilisation, and built-in Wi-Fi, at a competitive price. There is a large, high-resolution electronic viewfinder (2.36m dots), ISO100 to ISO25600, 8.5fps continuous shooting and built-in Wi-Fi. Although the camera is not weather-sealed, it does have a tilting touch-screen. 

Buy on Amazon

5. Fujifilm X-T20 

The 24.3 megapixel Fujifilm X-T20 offers a tilting LCD touchscreen and 4K video capability. It has a premium build, with top and bottom plates made out of die case magnesium alloy and dials made of aluminium. It has an updated menu system and offers Wi-Fi with the ability to control and trigger the camera with your phone. 

Buy on Amazon

6. Panasonic Lumix G80 

The 16 megapixel Panasonic Lumix G80 offers 4K video recording, 5-axis image stabilisation, 9fps continuous shooting, a vari-angle touch-screen, a weather-sealed camera body, and DSLR styling. There is a large, high-resolution electronic viewfinder (2.36m dots), ISO100 to ISO25600, and built-in Wi-Fi and NFC. 

Buy on Amazon

7. Panasonic Lumix GH5 

The Panasonic Lumix GH5 has a new 20 megapixel sensor, 5-axis image stabilisation, and a 3.2 inch vari-angle touch screen. The GH5 is capable of shooting in 6K at 30fps and offering 18 megapixel still images. There is also 12 fps continuous shooting.

Buy on Amazon

8. Sony Alpha A6500 

The Sony Alpha A6500 offers a number of upgrades from the previous model including built-in 5-axis image stabilisation, a tilting touch screen and improved grip to name a few. It features a 24 megapixel sensor, weather sealing and 4K video with 8 megapixel stills. It's also Wi-Fi, NFC and bluetooth capable.

Buy on Amazon

9. Fujifilm X-T2 

The 24 megapixel Fujifilm X-T2 gives excellent image quality, high-speed continuous shooting at 8fps (or 11fps with the battery grip), and records 4K video. There is a large, high-resolution electronic viewfinder (2.36m dots), a tilting 3inch screen, ISO100 to ISO51200, built-in Wi-Fi, and a weather-sealed camera body. 

Buy on Amazon

  10. Olympus PEN-F 

The Olympus PEN-F features a 20 megapixel Micro Four Thirds sensor, built-in electronic viewfinder (EVF), which has a high resolution of 2.36million dots, and a vari-angle touch-screen. Beyond the stylish design, and rangefinder position of the EVF, the Olympus PEN-F features the same premium camera technology as the Olympus OM-D E-M5 Mark II, with a 5-axis image stabilisation system. The camera also offers 10fps continuous shooting, full manual controls and raw shooting. Overall, the Olympus PEN-F offers a unique shooting experience, which is difficult to match without spending significantly more money.

Buy on Amazon 

11. Fujifilm X-Pro 2 

The Fujifilm X-Pro 2 is the evolution of the X-Pro 1 and includes a 24-megapixel sensor, new processor, faster AF, better operability, better performance, improved feel, better weather sealing, and improved design. FullHD video is included, but not 4K video recording.  If the rangefinder camera is your preferred style, then the X-Pro 2 gives excellent results and is well-worth considering. 

Buy on Amazon 

12. Olympus OM-D E-M1 Mark II 

The 20 megapixel Olympus OM-D E-M1 Mark II has 5-axis image stabilisation, 4K video recording and an improved battery. It has a dual SD slot and a weather sealed body, enabling you to use it in any weather. The camera boasts super-fast autofocus with 18fps continuous shooting. 

Buy on Amazon

13. Panasonic Lumix GX8 

The 20 megapixel Panasonic Lumix GX8 is the first 20 megapixel Micro Four Thirds camera available, has a tilting EVF built into the body, a tilting vari-angle 3-inch touch screen, 4K video recording, as well as in-body sensor shift image stabilisation, which will benefit anyone who shoots with lenses without built in IS. There is a large, high-resolution electronic viewfinder (2.36m dots) that tilts, 8fps continuous shooting, ISO100 to ISO25600, built-in Wi-Fi, and a weather sealed camera body. 

Buy on Amazon

For more mirrorless compact system camera reviews, have a look at our latest mirrorless reviews. Don't forget to pick up a bag for it to protect it - have a look at our complete guide to bags. If you want a memory card for your camera, have a look at our complete guide to memory cards. 

Source: Top 13 Best Premium Compact System Cameras 2017