Pages

Thursday 30 June 2016

Fuji Will Release a Mirrorless Medium Format Camera in September: Report

I recently bought a stack of foreign Vogue magazines for inspiration, and inside of Vogue Italia I saw an amazing photo of Alessandra Ambrosio on a beach at night. I tucked it away in a manila envelope labeled "Possible Shoots".

Apple has been awarded a US patent for a system that could disable iPhone cameras with infrared signals, allowing photography to be remotely banned in locations such as concerts and sensitive sites.

Ted Forbes of The Art of Photography made this 7.5-minute video in which he talks about a brutal truth of photography: the fact that "nobody is interested in seeing your photographs. Nobody cares about the work that you're doing as a photographer."

For photographer Nick Carver, photography is not about likes or comments or followers on your social network of choice; photography is about taking photos you love, printing them, and getting them up on your (or someone else's) wall.

It seems Canon has got a real winner on their hands with the impressive (and expensive) Canon 1D X Mark II. In fact, it's now the highest rated Canon sensor DxOMark has ever tested! Move over 5DS...

"D" is digital. "X" is cool and mysterious. And "1" is, well, number one. Since the introduction of the Nikon D1x, camera manufacturers have been riffing on these three letters. Canon has their 1D X, and most recently Hasselblad introduced the X1D. But how do all these cameras compare?

In Banovina, Croatia, on top of Čukur hill, there sits a giant camera lens sculpture. Featuring shattered glass around a single bullet hole, the lens is a memorial dedicated to Croatian photographer Gordan Lederer.

The Kennel Club, the official kennel club of the UK and the oldest kennel club in the world, has just announced the winning photos for the Dog Photographer of the Year 2015 contest, the largest dog photography competition in the world.

UK-based videographer Cal Thomson recently got into astrophotography and creating time-lapses of the starry night sky. After receiving good responses from viewers, Thomson decided to create the short and to-the-point video tutorial …

What unusual tactics do you have for nailing the perfect portrait? Over in East Asia, a set of viral photos circulating on the Web shows what some wedding photographers are doing to get the shot they're picturing in their minds.

The golden ratio (or golden mean, or golden section, or divine proportion, or whatever you want to call it) is the subject of heated debate among photographers. But if you love using the golden ratio when you shoot, you should definitely check out this creative little pocket-sized card.

What is the best camera for street photography? What do you recommend? That is the question I get asked most.

I'm old. Believe me, I know it. I'll be 70 in a few months. That fact may make it hard for you to take me seriously, but bear with me for just this post. With age comes wisdom, right? What I want to write here is that I think the field of photography by those making art is changing in a disturbing way. Read on.

About a year ago, Levi Bettwieser of the Rescued Film Project won about 20 auctions for the undeveloped work of a 1950s photographer. What he received was 66 bundles of film containing a staggering 1,200 unprocessed rolls.

The enlarger lenses used by film photographers to create prints from developed negatives are not meant to be used on a camera. Of course, that doesn't mean you can't use one... or that you shouldn't try.

Hasselblad broke new ground with the X1D: the world's first digital mirrorless medium format camera. But according to trusted sources, Fujifilm is going to rain on Hassy's parade very soon.

I think it's safe to say that the cat is out of the bag, the secret's been blown... there's a DC-3 plane wreck in Iceland.

I will begin by saying that my intention is not to attack Steve McCurry or defame him in any manner. It is only an attempt to clear certain facts that have come to light regarding his work and to also raise certain questions on aspects that may or may not have been missed, but certainly have not been expressed till now... at least not publicly.

Google Maps and Google Earth just got a whole lot sharper thanks to NASA and its Landsat 8 satellite. Using beautiful high-res imagery captured by the new satellite, Google has built a better high-res cloud-free mosaic of the world based on some 700 trillion pixels of data.

There's something incredibly touching about a photograph of a mother-to-be cradling her belly and gazing sweetly at her unborn child. Unfortunately, thanks to these beer ads, you're never going to be able to look at those photos the same way again.


Source: Fuji Will Release a Mirrorless Medium Format Camera in September: Report

DxO: Sony a6300 almost as great as Nikon D7200, much better than Canon 80D

DxO Mark has had its fun with the Sony a6300 and has given the mirrorless camera an overall score of 85, putting the camera at rank 31 overall, one spot behind Sony's full-frame A7S II camera. The Nikon D7200 ranked 25 with a score of 87, well above the Canon 80D, which is ranked 68, with a score of 79.

In its review, DxO called the Sony a6300's sensor the best APS-C sensory built by Sony till date. The camera, which happens to be Sony's flagship APS-C mirrorless camera, features a newly-developed 24MP sensor that outperforms the a6000, the A77 II as well as the NEX-7.

DxO praised the camera for its low noise levels at low as well as high ISOs resulting in good dynamic range. When compared to the Sony's full-frame a7S II, DxO found that the a6300 colour sensitivity was very close to the a7s II's across ISOs. It almost managed to match the full-frame camera's performance at ISO 1600 and ISO 3200. This is remarkable for an APS-C camera, seeing that full-frame sensors have always been associated with better noise performance.

DxO compared the Sony a6300 to its competitors from Nikon and Canon — the D7200 and the 80D and called it a "competitive performer." While the Sony a6300's colour sensitivity across ISOs was better than the Canon 80D, the mirrorless camera was evenly matched with the Nikon D7200. In fact, the Sony a6300's dynamic range outdoes the Nikon D7200's at ISO 800.

The Nikon D7200 's dynamic range outperformed the Sony a6300's at low ISOs, but, with the Sony a6300 performing more consistently, beat the D7200 as the ISO levels went up. Both the cameras were very evenly matched between ISOs 800 and 3200. Compared to the Canon 80D, the Sony a6300 remained head and shoulders above.

Price-wise, the Sony a6300 may be in competition with the Nikon D7200, but it's also important to note that the Nikon D5500 isn't too far behind in terms of performance. However, in our opinion, the features that the a6300 brings to the table — 11fps burst mode, 4K video and a much more compact form factor — helps it outshine the D7200 as well as the D5500.


Source: DxO: Sony a6300 almost as great as Nikon D7200, much better than Canon 80D

Wednesday 29 June 2016

8 must-have accessories for every Canon DSLR camera owner

Best Canon accessories

Canon accessories#

Keen photographers invariably gravitate towards a DSLR. Mirrorless camera systems are catching up too, of course, but right now the single lens reflex camera still has the edge in popularity and, at the novice end of the market, value for money.

You can't get a mirrorless camera with a viewfinder for the same price as a Canon 1300D/Rebel T6, for example, and at the top end of the scale the new Canon EOS-1D X II has set new standards for professional high-speed sports and press photography.

But the camera and the lens that comes with it is just the start. Digital SLRs can be used straight from the box, of course, but they're meant to be at the heart of a much larger photographic system of lenses, filters, tripods and other accessories.

So here's our list of eight essential buys for Canon DSLR owners, with the maximum amount of versatility, value and photographic potential to make sure you'll get simply amazing photos every time.

Telephoto zoom: Canon EF 70-300mm f/4-5.6 IS M

Price: £356 / $449 / AU$514

Best Canon accessories

Telephoto lenses aren't just for sports and wildlife. They can also be great for longer-range portraits with nicely-defocused backgrounds, scenic landscape photography and pictures of pets and children at play. The Canon 70-300mm offer a classic focal range for a consumer telephoto zoom - if you want a professional lens you have to pay thousands, not hundreds, so this is the best buy as you find your feet with your camera system.

On a regular APS format Canon body, the Canon 70-300mm offers an equivalent focal range of 112-480mm, so it's a pretty powerful lens that can pull in even distant subjects. Canon's regular lower-end kit lens offers a range of 18-55mm, so this one picks up where the kit lens leaves off with just a small gap in the range between 55 and 70mm - you're not going to notice a gap this small in practice.

The lens uses Canon's IS image stabilisation system, which is essential in any telephoto zoom if your camera doesn't have in-body stabilisation - Canon DSLRs do not.

This gives roughly a three-stop shutter speed advantage, so in situations where you'd normally need to use a shutter speed of 1/500sec to avoid camera shake, you should now be able to shoot at 1/60sec. It can also be used on Canon's full-frame cameras if you decide to upgrade later.

Superwide zoom: Canon EF-S 10-22mm f/3.5-4.5 M

Price: £377 / $649 / AU$775

Best Canon accessories

A telephoto lens is a pretty obvious first choice for any Canon DSLR owner, but a super-wideangle zoom can prove every bit as useful. Canon's usual kit lenses for its APS-C cameras have a wide-angle setting of 18mm, which is equivalent to around 28mm in full-frame/35mm camera terms. It's wide, but it's often not quite wide enough.

But this Canon 10-22mm EF-S lens goes almost twice as wide, making it perfect for cramped interiors, big city landmarks, huge, sweeping landscapes and surreal close-ups.

There is one thing to keep in mind. The Canon 70-300mm lens at the top of our list will also work on a full-frame camera if you ever decide to upgrade. The Canon 10-22mm, however, will only work on Canon's smaller APS-C cameras - that's what the 'EF-S' in the name stands for (as opposed to 'EF' for full frame lenses that fit both). With super-wideangle lenses like this, you have to get them to match the sensor size.

Macro lens: Canon EF 100mm f/2.8 M Macro

Price: £373 / $599 / AU$678

Best Canon accessories

The first two lenses in our list extend the range of distances you can shoot from and the angles of view you can take on. Our third lens lets you get right up close to tiny subjects for amazing close-up photography - far closer than the 'close-up' or 'macro' modes on compact digital cameras, for example.

The Canon 100mm f/2.8 is a true 'macro' lens, which means it can focus close enough to render subjects at their actual size on the sensor. So a bee 10mm long (ouch) will appear as a 10mm long image on the sensor - and since the sensor in a regular APS-C Canon is around 22.5mm across, that means the insect will fill almost half of the full width of the image frame.

This is an EF lens, which means it can also be used on Canon's full-frame cameras. The 100mm focal length means you can shoot your subjects from a little further away to reduce the risk of casting a shadow with the camera or frightening your subjects, and this lens can also double as a handy, fast-aperture telephoto.

Tripod: Manfrotto MT190XPRO3 with X-PRO 3-way head

Price: £129 + £99 / $220 + £135 /AU$389

Best Canon accessories

Every photographer needs a tripod. Some never take a picture without one, others use them only when necessary, but tripods massively extend the range of pictures you can take. With a tripod you can capture super-smooth low-ISO night shots, seamless panoramas, HDR (high dynamic range) exposures, shake-free macro shots and more. They can also save you arm-ache when using a heavy camera/telephoto lens combination for long periods.

There are cheaper, smaller tripods around, but the Manfrotto MT190XPRO3 delivers proper weight-bearing capacity, a decent fully-extended height and the flexibility of a horizontal 'boom' mechanism.

You normally choose a tripod head separately with this model, and we'd go for the X-PRO 3-way head. A ball head is a cheaper and more compact option if you don't need the precision of a three-way head.

Camera bag: Vanguard Up-Rise 38

Price: £119 / $130 / AU$176

Best Canon accessories

If you're going to all the trouble and expense of building a great DSLR system, you need some way of carrying it around safely. Camera bags come in all shapes, sizes and types, including backpacks that are ideal for lugging lots of gear over long distances, and shoulder bags for smaller systems where quick access is essential.

But increasingly photographers are looking for bags that can also carry a laptop - rapidly becoming an important bit of camera kit in itself - don't advertise the fact that they're full of expensive gear and can also be used for more than just camera gear.

The Vanguard Up-Rise 38 fits the bill perfectly. It can hold a DSLR and extra lenses in a removable camera compartment, it has a sleeve large enough for a 16-inch laptop and enough compartments and pockets to work perfectly as an everyday business bag.

Flash: Canon Speedlite 430EX III-RT

Price: £219 / $299 / AU$386

Best Canon accessories

Almost all Canon DSLRs come with a built-in pop-up flash, but the power output is low and because you can't use it off-camera or 'bounce' the light off walls and ceilings, this kind of flash is best kept for emergency use only. To really see what flash can do, you need a powerful external flash like the Canon Speedlite 430EX III-RT.

It's not the most powerful external flash in Canon's range, but it strikes a good balance between power, versatility, value and portability. It also integrates with Canon's whole multi-flash Speedlite system, so you can use it on-camera or fire it remotely via an optical sensor (it goes off when it detects another flash firing) or via radio frequency triggering.

You might not need this kind of flexibility when you're starting out, but it's good to know that you can expand your flash system later on if you need to.

Filters: Lee Filters Digital SLR Starter Kit

Price: £229 / $320 / AU$605

Best Canon accessories

You might assume that in the digital age Photoshop has completely replaced filters, but that's not true. There are still some things that optical filters do that Photoshop can't - or at least not without twice the effort and half the effectiveness.

For maximum effectiveness you need a modular filter system based around a square filter holder that can hold one, two or three filters at a time. There are cheaper kits, but Lee Filters are the ones favoured by professionals, and the Lee Digital SLR Starter Kit is an affordable route into the Lee system.

You get a 100mm filter holder (though you will have to get an adaptor ring for your lens separately), a 2-stop hard grad for darkening skies and a 2-stop neutral density filter for slowing shutter speeds.

Later on you can invest in a circular polariser for deeper blue skies and richer colours and a Lee Big Stopper for blurring skies and water with long exposures - but by that point you'll have taken so many photos you'll be giddy with pleasure.

Remote release: Hahnel Captur Remote

Price: £60 / $90 / AU$115

Best Canon accessories

Canon does make remote releases for its DSLRs, and many can now be operated remotely via Wi-Fi and a smartphone app, but remote release specialist Hahnel has produced something different - a powerful modular release system that can be expanded to suit your needs.

The basic Captur Remote kit consists of a receiver and a transmitter that can be used for two different jobs. You can fit the transmitter to your camera and fit your flash to the receiver for remote flash operation, or you can fit the receiver to the camera and use the transmitter to fire your camera - from up to 100m away.

You can expand your set-up with extra receivers and more advanced Timer and Pro modules that offer time-lapse functions and even remote triggering modules for automatic wildlife photography. Make sure you get the version designed for your Canon camera - they come in Nikon versions too.


Source: 8 must-have accessories for every Canon DSLR camera owner

One Sexy Point-and-Shoot

blond_02

Segment is a simple, compact, mirrorless camera for the modern user. The design earns its namesake from a segment of the body that has been removed, as if it's been cut away, to make room for the physical controls nested into this cavity. This not only protects the controls but allows the user easy access. Wrapped in genuine leather and sporting a nostalgic, vintage aesthetic interpreted in a contemporary manner, it's sure to win the hearts of point-and-shoot photographers everywhere!

Designer: Blond Studio

blond_01

blond_03

blond_04

blond_05

blond_06


Source: One Sexy Point-and-Shoot

Tuesday 28 June 2016

Mirrorless is 'probably' the future: an interview with Hasselblad Product Manager Ove Bengtson

It is quite extraordinary for Hasselblad to produce a mirrorless camera like the X1D for a number of reasons. Firstly is the obvious: it has predominantly produced cameras with very large mirrors since its first consumer camera in 1948 - the 1600F. Second, mirrorless cameras with touch screens and electronic view finders are very modern, and we may not all think of Hasselblad as a manufacturer of entirely up-to-date electronic products.

In the X1D we are looking at a medium-format sensor in a body that can hide behind a standard high-enthusiast 35mm-style DSLR. Okay, so plenty of people will point out that it isn't 'full frame' 645 (the smallest of the 120 film formats), but it's very similar to 127 film which was considered medium format by the ISO organization. More to the point, it's much bigger than the 'full frame' 35mm format and is essentially the same size as the sensors used in Leica's S series, the Pentax 645Z, Phase One IQ3 50MP and Hasselblad's own H6D-50c.

I guess this kind of breakthrough is one we'd expect to come from what we might consider a high-tech company, not a business that has traditionally created a relatively low volume of very high-priced and principally mechanical professional tools.

Of course Hasselblad marked a technological turn around when it introduced the H6D with its new electronic platform, but this new X series camera takes what the H6D did a few steps further. Sho rtly after the announcement of the X1D in Gothenburg I got some time with Hasselblad product manager Ove Bengtson to discuss some of the technical challenges that had to be overcome to create the X1D and to find out some more detail about how the product will work when it comes to market.

'...designing a mirrorless system is relatively easy compared to our usual H cameras'

'The X1D took only between 18 and 20 months to develop from the final concept to where we are today,' says Ove Bengtson. 'As it uses the same 50-million-pixel Sony IMX161 sensor, the same electronic platform and same processor as the H6D-50c most of the work was already done - designing a mirrorless system is relatively easy compared to our usual H cameras as there are no moving parts. We started discussing the idea in November 2013 but were still talking about it a year later before we decided to go ahead. The work that we had already done in the development of the H6D saved us a lot of time in research for the X1D.'

As mirrorless cameras are so much easier to make and offer so much more flexibility I wonder if mirrorless is the future for Hasselblad. 'Yes, it probably is, but not for a while. Mirrorless systems can be smaller and lighter, and because they have no internal movement they are more durable and they create less vibration so there is less to disturb image quality. Electronic viewfinders will need to get better though and the AF systems will need to improve to catch up with phase detection systems.' 

'We really do want phase detection but we'll have to wait for the sensor manufacturer.'

'It is a great benefit to be able to have AF points all over the screen, as in our H system we are really restricted to the centre of the frame, but phase detection wasn't even an option for the X1D. We discussed having phase detection AF points built into the sensor, but Sony was already too far down the road with the sensor development at that stage. We really do want phase detection but we'll have to wait for the sensor manufacturer.

So, while mirrorless has many advantages over mirrored systems there are still just as many reasons to use the H system. The H system has better AF in low light, and a lot of photographers prefer an optical viewfinder. The H system is also modular so you can change the backs and use a waistlevel viewfinder – not to mention a choice of 12 lenses including technical lenses – so it is still a very different experience.'

To allow X1D users access to the existing range of H system lenses Hasselblad will introduce what it describes as a 'simple adapter', but in the announcement there wasn't much more detail than that. 'Yes, this adapter will allow autofocus to operate with most of the H lenses, but they weren't designed to work with contrast detection systems. Consequently users will need to update the firmware in their lenses to allow them to work properly. Not all lenses have firmware that can be upgraded as early H lenses in 2002 were fixed, but all more recent lenses will be able to be used.'

'It is still early days for this camera but when it comes to market it will have touch AF...'

The cameras on display at the announcement event had touch screen controls for working the menus and for making feature selections, but they didn't allow touch AF controls. 'It is still early days for this camera but when it comes to market it will have touch AF and the AF points will be spread across the screen. You will press the AF/MF button and an AF point display will appear on the screen and then you can select the point you want to use.'

Ove said that the company hadn't directly considered allowing the rear screen to be used as a touch pad while the EVF is in use, but that it would probably be a question of firmware and that they would consider it. 'The touch experience for the user has been a major consideration for us, and we want the touch sensitivity to be the best there is. Users will all have smart phones and we couldn't allow the screen of the X1D to present an experience that isn't as good as people will be used to.'

We also talked about the company's integration of the Nikon flash system and what the reasons were for not developing a system of their own. 'We don't want to have to develop our own flash system, as we'd prefer to concentrate our resources on making cameras and lenses. Any system needs a range of flash units as customers want a choice, so it makes much more sense to work with an existing system that already has that range and choice. When we only had the V system we partnered with Sunpa k, and in more recent years we worked with Metz, but Metz discontinued the gun as they didn't sell enough. Nikon agreed to work with us and we are very happy that they offer excellent flash units that will work well with our X1D.'

'We have to produce the best that we can and allowing reduced quality just isn't an option'

The XCD lenses that Hasselblad has developed to go with the X1D use leaf shutters and offer a top shutter speed of 1/2000sec. Leaf shutter systems allow much faster flash synchronization than focal plane shutter systems and, as is the case with the H6D, the X1D can work with full power flash at that shortest shutter opening. 'In this camera and in the H6D we use a dual shutter system to achieve the top 1/2000sec flash sync speed,' explains Ove.

The shutter opens electronically (almost instantaneously), but closes with the mechanical shutter. The exercise requires careful synchronization between the electronic shutter of the sensor and the mechanical shutter in the lens so that the leaf shutter cuts off the electronic opening when the flash power is at its peak. The sensor can then take its time reading and resetting all the pixels, since the leaf shutter has ended the exposure 'globally' (A leaf shutter doesn't swipe across the sensor, it progressively darkens the entire sensor).

In effect the system uses two 1/1000sec shutter speeds, one electronic and one mechanical, and off-sets them by half a shutter speed so that they are only open together for 1/2000sec – when the flash is at its peak. 'In tests we have achieved shorter shutter speeds and flash sync speeds' says Mr. Bengtson, 'but we need more tests to ensure the system is reliable. The electronic shutter function is otherwise only available in video mode, so we won't be introducing a general electronic shutter for normal shutter speeds as this sensor works best with a mechanical shutter.'

'The new XCD lenses are designed and built to the same specification standards that we use for the H series lenses. We have to produce the best that we can and allowing reduced quality just isn't an option. In fact these have a short back focus which makes it easier to design them to really excellent standards. The lenses are designed by us and manufactured by Nittoh who have made many great lenses in the past, including the lenses for the X-Pan. These XCD lenses have no crosstalk and the angle of the light as it approaches the sensor is well within the limits. You'll notice that the exit pupil of the wide angle particularly is set well inside the barrel.'

'Right now... we have no zooms on the roadmap'

'To start with we will concentrate on fixed focal length lenses as we can make these small in line with the compact concept of the camera. I expect there will be some demand for zooms but we will wait and see what that demand is and then respond to it. Right now though, we have no zooms on the roadmap. Personally I think they will have to be too big, and I want us to concentrate on the best performance and the highest resolution possible.'

Speaking to Ove and other technicians at the event it is obvious that Hasselblad has built this system around the specific physical dimensions of the 43.8x32.9mm sensor. If there will be a 100MP version of the X camera it will not be one using the current Sony offering that measures 53.4x40mm. 'The camera isn't designed to take a larger sensor,' I was told, 'and the XCD lenses don't have the covering circle to work with it. We designed the camera to be small and portable, and a part of that equation is the size of the sensor. If we work wi th a larger sensor it means we need a bigger body and bigger lenses, and that would defeat the principles of what the X1D is about.'

No one would be drawn on how many lenses the company expects to have in the XDC range in five years' time, but it is clear there will be more and that they will start coming shortly. The 30mm will be formally announced at Photokina and I think it reasonable to assume there will be hints of other focal lengths at the time, even if the announcements aren't formal.

The X1D really does mark quite a departure for Hasselblad and a step towards a larger market (though still some way from the mass market) that will allow the company to broaden its user base. The step too though is as much about demonstrating it is a modern company now that can make modern products. It has also drawn an unmistakable line under that period of its life when it rebadged and allowed other brands to have too much of a hand in its manufacturing.

Things are looking up; Hasselblad seems to be back on track, innovating once more and in many ways getting ahead of the game. The X1D is certainly the coolest, most flexible, portable and accessible digital medium format almost on the market.

It is quite extraordinary for Hasselblad to produce a mirrorless camera like the X1D for a number of reasons. Firstly is the obvious: it has predominantly produced cameras with very large mirrors since its first consumer camera in 1948 - the 1600F. Second, mirrorless cameras with touch screens and electronic view finders are very modern, and we may not all think of Hasselblad as a manufacturer of entirely up-to-date electronic products.

In the X1D we are looking at a medium-format sensor in a body that can hide behind a standard high-enthusiast 35mm-style DSLR. Okay, so plenty of people will point out that it isn't 'full frame' 645 (the smallest of the 120 film formats), but it's very similar to 127 film which was considered medium format by the ISO organization. More to the point, it's much bigger than the 'full frame' 35mm format and is essentially the same size as the sensors used in Leica's S series, the Pentax 645Z, Phase One IQ3 50MP and Hasselblad's own H6D-50c.

I guess this kind of breakthrough is one we'd expect to come from what we might consider a high-tech company, not a business that has traditionally created a relatively low volume of very high-priced and principally mechanical professional tools.

Of course Hasselblad marked a technological turn around when it introduced the H6D with its new electronic platform, but this new X series camera takes what the H6D did a few steps further. Sho rtly after the announcement of the X1D in Gothenburg I got some time with Hasselblad product manager Ove Bengtson to discuss some of the technical challenges that had to be overcome to create the X1D and to find out some more detail about how the product will work when it comes to market.

'...designing a mirrorless system is relatively easy compared to our usual H cameras'

'The X1D took only between 18 and 20 months to develop from the final concept to where we are today,' says Ove Bengtson. 'As it uses the same 50-million-pixel Sony IMX161 sensor, the same electronic platform and same processor as the H6D-50c most of the work was already done - designing a mirrorless system is relatively easy compared to our usual H cameras as there are no moving parts. We started discussing the idea in November 2013 but were still talking about it a year later before we decided to go ahead. The work that we had already done in the development of the H6D saved us a lot of time in research for the X1D.'

As mirrorless cameras are so much easier to make and offer so much more flexibility I wonder if mirrorless is the future for Hasselblad. 'Yes, it probably is, but not for a while. Mirrorless systems can be smaller and lighter, and because they have no internal movement they are more durable and they create less vibration so there is less to disturb image quality. Electronic viewfinders will need to get better though and the AF systems will need to improve to catch up with phase detection systems.' 

'We really do want phase detection but we'll have to wait for the sensor manufacturer.'

'It is a great benefit to be able to have AF points all over the screen, as in our H system we are really restricted to the centre of the frame, but phase detection wasn't even an option for the X1D. We discussed having phase detection AF points built into the sensor, but Sony was already too far down the road with the sensor development at that stage. We really do want phase detection but we'll have to wait for the sensor manufacturer.

So, while mirrorless has many advantages over mirrored systems there are still just as many reasons to use the H system. The H system has better AF in low light, and a lot of photographers prefer an optical viewfinder. The H system is also modular so you can change the backs and use a waistlevel viewfinder – not to mention a choice of 12 lenses including technical lenses – so it is still a very different experience.'

To allow X1D users access to the existing range of H system lenses Hasselblad will introduce what it describes as a 'simple adapter', but in the announcement there wasn't much more detail than that. 'Yes, this adapter will allow autofocus to operate with most of the H lenses, but they weren't designed to work with contrast detection systems. Consequently users will need to update the firmware in their lenses to allow them to work properly. Not all lenses have firmware that can be upgraded as early H lenses in 2002 were fixed, but all more recent lenses will be able to be used.'

'It is still early days for this camera but when it comes to market it will have touch AF...'

The cameras on display at the announcement event had touch screen controls for working the menus and for making feature selections, but they didn't allow touch AF controls. 'It is still early days for this camera but when it comes to market it will have touch AF and the AF points will be spread across the screen. You will press the AF/MF button and an AF point display will appear on the screen and then you can select the point you want to use.'

Ove said that the company hadn't directly considered allowing the rear screen to be used as a touch pad while the EVF is in use, but that it would probably be a question of firmware and that they would consider it. 'The touch experience for the user has been a major consideration for us, and we want the touch sensitivity to be the best there is. Users will all have smart phones and we couldn't allow the screen of the X1D to present an experience that isn't as good as people will be used to.'

We also talked about the company's integration of the Nikon flash system and what the reasons were for not developing a system of their own. 'We don't want to have to develop our own flash system, as we'd prefer to concentrate our resources on making cameras and lenses. Any system needs a range of flash units as customers want a choice, so it makes much more sense to work with an existing system that already has that range and choice. When we only had the V system we partnered with Sunpa k, and in more recent years we worked with Metz, but Metz discontinued the gun as they didn't sell enough. Nikon agreed to work with us and we are very happy that they offer excellent flash units that will work well with our X1D.'

'We have to produce the best that we can and allowing reduced quality just isn't an option'

The XCD lenses that Hasselblad has developed to go with the X1D use leaf shutters and offer a top shutter speed of 1/2000sec. Leaf shutter systems allow much faster flash synchronization than focal plane shutter systems and, as is the case with the H6D, the X1D can work with full power flash at that shortest shutter opening. 'In this camera and in the H6D we use a dual shutter system to achieve the top 1/2000sec flash sync speed,' explains Ove.

The shutter opens electronically (almost instantaneously), but closes with the mechanical shutter. The exercise requires careful synchronization between the electronic shutter of the sensor and the mechanical shutter in the lens so that the leaf shutter cuts off the electronic opening when the flash power is at its peak. The sensor can then take its time reading and resetting all the pixels, since the leaf shutter has ended the exposure 'globally' (A leaf shutter doesn't swipe across the sensor, it progressively darkens the entire sensor).

In effect the system uses two 1/1000sec shutter speeds, one electronic and one mechanical, and off-sets them by half a shutter speed so that they are only open together for 1/2000sec – when the flash is at its peak. 'In tests we have achieved shorter shutter speeds and flash sync speeds' says Mr. Bengtson, 'but we need more tests to ensure the system is reliable. The electronic shutter function is otherwise only available in video mode, so we won't be introducing a general electronic shutter for normal shutter speeds as this sensor works best with a mechanical shutter.'

'The new XCD lenses are designed and built to the same specification standards that we use for the H series lenses. We have to produce the best that we can and allowing reduced quality just isn't an option. In fact these have a short back focus which makes it easier to design them to really excellent standards. The lenses are designed by us and manufactured by Nittoh who have made many great lenses in the past, including the lenses for the X-Pan. These XCD lenses have no crosstalk and the angle of the light as it approaches the sensor is well within the limits. You'll notice that the exit pupil of the wide angle particularly is set well inside the barrel.'

'Right now... we have no zooms on the roadmap'

'To start with we will concentrate on fixed focal length lenses as we can make these small in line with the compact concept of the camera. I expect there will be some demand for zooms but we will wait and see what that demand is and then respond to it. Right now though, we have no zooms on the roadmap. Personally I think they will have to be too big, and I want us to concentrate on the best performance and the highest resolution possible.'

Speaking to Ove and other technicians at the event it is obvious that Hasselblad has built this system around the specific physical dimensions of the 43.8x32.9mm sensor. If there will be a 100MP version of the X camera it will not be one using the current Sony offering that measures 53.4x40mm. 'The camera isn't designed to take a larger sensor,' I was told, 'and the XCD lenses don't have the covering circle to work with it. We designed the camera to be small and portable, and a part of that equation is the size of the sensor. If we work wi th a larger sensor it means we need a bigger body and bigger lenses, and that would defeat the principles of what the X1D is about.'

No one would be drawn on how many lenses the company expects to have in the XDC range in five years' time, but it is clear there will be more and that they will start coming shortly. The 30mm will be formally announced at Photokina and I think it reasonable to assume there will be hints of other focal lengths at the time, even if the announcements aren't formal.

The X1D really does mark quite a departure for Hasselblad and a step towards a larger market (though still some way from the mass market) that will allow the company to broaden its user base. The step too though is as much about demonstrating it is a modern company now that can make modern products. It has also drawn an unmistakable line under that period of its life when it rebadged and allowed other brands to have too much of a hand in its manufacturing.

Things are looking up; Hasselblad seems to be back on track, innovating once more and in many ways getting ahead of the game. The X1D is certainly the coolest, most flexible, portable and accessible digital medium format almost on the market.


Source: Mirrorless is 'probably' the future: an interview with Hasselblad Product Manager Ove Bengtson

Monday 27 June 2016

What's in our pro photographer's photo bag?

By far the question I'm asked the most as an automotive photographer is "what camera do you use?" There's a part of me that's bothered by the question, as I imagine the person asking the question assumes the quality of any photo I've taken is dictated solely by the camera or lens being used. Even so, I will readily admit that the equipment a photographer uses is indeed important. I carefully consider my options when I buy a new camera or lens, and there is a reason why I buy one over the other.

So, for all of you who have asked the question over the years and have wondered what kind of equipment is used to capture photos for Autoblog's reviews and event coverage, let's get started.

Nikon D4

Nikon D4

Technology seems to be heading towards lighter and smaller mirrorless cameras, but currently for me th ere's nothing as good as a robust DSLR. The Nikon D4 may not quite be the best at any one thing, but it's darn good at just about everything.

That's exactly why I've stuck with Nikon's flagship cameras for the last decade or so. The D4 can handle action easily, with a fantastic autofocus system and the ability to shoot 11 frames per second, but it can capture landscapes just as well. The sensor is only 16 megapixels, but to me that's never been that important. The quality of those pixels is fantastic, and the full-frame sensor has one of the lowest pixel density ratios of any camera.

That makes for excellent quality even in low-light situations. It's solid and weatherproof, too. I've had it out in rain, snow, cold and heat. Essentially, the D4 can do anything I ask of it in just about any situation, whether shooting at a racetrack, covering an auto show, or photographing a car for a road test.

Nikon D3 (backup)

Nikon D3

I rarely use a backup camera, but as a professional it's a necessity. It's kind of like health insurance. Most of the time you don't need it, but when you, you're really glad you have it – like the time I had a shutter lock up on a camera right before an auto show. The D3, once my main camera, now serves as my backup. I'll occasionally pull it out of the bag to use as a second camera when switching lenses isn't an option, but I generally like to stick with my newest equipment if I can.

Nikon 24-70mm f/2.8

Nikon 24-70 f/2.8

This is my main wide-angle lens that I use for just about anything. I'll shoot interior, engine and detail shots with it on photoshoots, and it's my main (and sometimes only) lens for auto shows. It will focus insanely fast, and is tack sharp.

Nikon 70-200mm f/2.8 VRII

Nikon 70-200 f/2.8

When my subject isn't close enough for the 24-70mm or I want a different perspective, I'll switch it out for the 70-200mm. Just like the 24-70, it boasts lightning quick focus and is extremely sharp. It also has Nikon's second-generation VR (vibration reduction) system that, when combined with a wide-open aperture, makes it possible to shoot in extremely low light. I'll use the 70-200 as my main lens for exterior shots during photoshoots, and will occasionally use it for interesting detail shots as well. When I'm fortunate enough to shoot motorsports (which is not enough), the 70-200 is generally attached to my camera, sometimes with Nikon's 1.4X t eleconverter.

Nikon 14-24mm f/2.8

Nikon 14-24 f/2.8

I almost didn't buy this lens, as I only use it occasionally and it costs quite a bit. The lens is too wide and distorts the subject too much to photograph the exterior of cars, but I generally use it to capture cramped interiors. It might come out of the bag for a minute or two during a photoshoot, but it's nice to have the option when I need it.

Nikon 300mm F/4

Nikon 300mm f/4

You might have noticed that all my lenses up to this point have featured an f/2.8 aperture, while my 300mm is only an F/4. This mainly comes down to cost. I picked up this lens gent ly used for $850, while a brand new f/2.8 version would cost $5,500. While I'd love to have the pricier version, I don't shoot enough with this lens to justify the cost. Plus, the f/4 version is fairly rugged, lighter, and still extremely sharp. I'll bring this lens out for the occasional motorsport event or when I'm shooting anything on track. My only wish is that I had the newer version that features Nikon's VR, but I can't justify the $2,000 cost right now.

Tamrac Expedition 7X Backpack

I'm always traveling, whether it's for an auto show or for a client that's across the country, so having a good photo bag is important. I use the Tamrac Expedition 7x, and I absolutely love it. It's light and small enough to fit in the overhead bins on most planes, but is large enough to fit two cameras, three lenses, a laptop, and just about all my accessories. It's also the most robust camera bag I've owned, and even after five years is essentially showing no signs of wear. Tamrac no longer sells this bag, but the Anvil 23 is probably be the most similar product they currently offer.

Odd bits:

  • Nikon 1.4x teleconverter. I'll use this on my 70-200mm or 300mm lenses for motorsports events or for action shots where I need a little extra reach. The resulting shots are still sharp, although I've had less luck with some of Nikon's bigger teleconverters like the 2.0x.
  • Nikon SB-800 AF Speedlight (2). I'm mostly a natural light guy, but the D4 lacks an on-camera flash and so having a flash available is essential. It's usually attached for auto shows or other indoor shoots.
  • Pocketwizard Plus III (3). These little gems allow me to control either the camera or my flashes remotely, which can come in handy occasionally. I most often us them to control off-camera flashes for shooting interiors.
  • B&W 77mm circular polarizer. Having a polarizer filter is essential (I could write an entire article on this) for any car photographer. A polarized filter is used to cut down on unwanted reflections, which can be very helpful for shooting cars – especially black ones.
  • So there you have it – that's what's in the bag of a professional car photographer, or at least this particular photographer. Have any other questions about car photography or have ideas for future articles about car photography? Let me know in the comments section below.
    Source: What's in our pro photographer's photo bag?

    Hands-on: Hasselblad’s wonderful X1D is the Tesla of high-end photography

    If you're a photography nerd at all, then you've probably already heard about Hasselblad's new X1D,  the first ever mirrorless camera with a digital medium format sensor. I was lucky enough to spend a bit of quality time with it after it's announcement.

    Head on over to our original X1D post for more technical specs.

    A big deal in a small package

    Medium format cameras are the supercars of digital photography. They deliver extremely good performance, but are totally impractical for everyday use and way out of most people's price range, generally starting over $20,000 (Pentax's 645Z is the exception, but it's still huge).

    Hasselblad X1D

    All those factors mean digital medium format cameras are generally relegated to slow, methodical studio and landscape shoots on a tripod. They're just too big and expensive.

    But the X1D is not. It has the second largest sensor Hasselblad offers, about 68 percent larger than 'full-frame' ones in prosumer cameras like the Nikon D5 or Sony A7R II. Yet it's only slightly larger than many high-end mirrorless cameras, and a lot smaller than the best DSLRs.

    X1D, Leica SL, Nikon D800E, Fuji X-Pro 1Hasselblad X1D, Leica SL, Nikon D800E, Fuji X-Pro 1

    Point is, the X1D is a camera you can carry every day in a small bag. That's a complete first for medium format. And though $9,000 is still a hefty price, it's a lot easier to swallow than $26,000. It pushes Hasselblad firmly into competition with the likes of Leica or Canon and Nikon's most expensive cameras, especially if your income revolves around photography or you just need an occasional rental.

    Using it

    Hasselblad was quick to point out that there are several kinks in the pre-production model I tested, but the camera felt reassuringly solid, with ample metal and comfortable rubber grips to support the large lenses you'll be using. The term 'sexy' was tossed around, and I'm inclined to agree. It's a lot more like something Apple might make than the amorphously utilitarian design of most medium format cameras, or even Hasselblad's old rebranded Sony's.

    Hasselblad X1D

    That design finesse extends to the UI as well, with most interactions revolving around a 3-inch touchscreen. While I can already hear a lot of photographers groaning, the X1D's UI borrows heavily from smartphones – with large fonts and icons – rather than the clunky UIs of most touchscreen cameras. You can pinch to zoom, scroll through exposure values, fly through menus, and adjust most parameters you see on screen with just a tap.

    If you still hate the idea of using a touchscreen to adjust settings, there are still two control dials and dedicated buttons for ISO and white balance, focusing modes, drive modes, exposure lock, etc. My favorite bit of hardware is the mode dial which you can lock by clicking it into the body itself.

    I think Hasselblad's nailed the ergonomics. The touchscreen menus were quicker and more intuitive than using dials or a directional pad, but everything I want to adjust mid-shoot – exposure parameters, focus settings, and white balance – I can do with hardware controls.

    You'll be spending most of your time be using a large and bright EVF. Hasselblad didn't share the magnification, but suffice to say it was probably the largest EVF I've used, and at a 1024 x 768 resolution (2.36 MP) it's plenty sharp. It'll take traditional medium format users some getting used to not seeing actual reflected light, but all of us weaned on mirrorless have come to accespt the advantages of an EVF by now.

    Hasselblad X1D

    The refresh rate and contrast-based autofocus could be faster, but it was a preproduction model and rep assured me it's being improved before launch. Besides, the~2fps continuous shooting rate means this isn't exactly meant to be an action camera.

    I wasn't able to keep any images and I can't speak much to image quality from shooting in a small indoor space anyway, but given this is the same exact sensor in Hasselblad's $26,000 H6D-50c with a few processing improvements, I suspect it'll be pretty darn good (you can review some 8MP official samples here, or check out images from other Hasselblads).

    As for the lenses, I tried out both the 45mm F3.5 and 90mm F3.2 (24mm F2.8 and 70mm F2.5 in full frame terms). They were chunky beasts that made the camera slightly front heavy (you'll generally want to use a two-hand grip) but still small enough to fit in your camera bag.

    My main concern is that those aperture equivalents aren't very exciting if you're looking at medium format for the shallow depth of field advantages. But then again, the format's strength has always been with wide-angle shots, and Hasselblad tells me a 30mm lens (24mm equivalent) is coming to Photokina in September.

    Medium format and the future

    Hasselblad X1D

    Turning down the hype a bit, it's important to remember that current high-end cameras of all shapes and sizes are already really good.

    I've been shooting Micro Four Thirds professionally for four years, and the only reason I'd personally want a larger sensor is for the aforementioned shallow depth of field benefit. There are official lenses for my relatively small-sensor camera that can out-bokeh the X1D. And full frame probably strikes a better balance between available lenses and sensor size if you want maximum depth of field control.

    Still, many photographers argue that medium format's dynamic range, color accuracy, and per-pixel sharpness are unmatched (photographer Ming Thein has a great write-up here), particularly if you want to print your photos. The X1D's portability opens widens a realm of photography that has generally eluded the public eye.

    Hasselblad X1D

    Street photography, smaller weddings, and urban exploration will see a sudden influx of photos with the format. Future iterations of the series might be fast enough to be legitimate sports camera. 4K or 8K video would look spectacular. Reporters even joked about medium format selfies. But I mean, why not?

    (Well, other than the vanity of a taking a selfie with $10,000+ worth of gear.)

    Returning to the supercar analogy, the X1D is doing for photographers what Tesla did for drivers with the Model X. It brought certain aspects of supercar performance down to a somewhat reasonable price, and more importantly, did so in a vehicle you can drive to work every day.

    In much the same way, the X1D is bringing the highest form of digital photography into everyday life. Wherever that leads, one thing's clear: everyone else will have to step their game up.

    X1D-50C on Hasselblad

    Read next: Future tech, total protection: Amaryllo iCamPRO FHD security camera


    Source: Hands-on: Hasselblad's wonderful X1D is the Tesla of high-end photography

    Sunday 26 June 2016

    A $799 price just made this high-resolution Sigma a reasonable mirrorless choice

    Sigma may be known more for its lenses, but a surprising price drop on the company's latest mirrorless cameras, the Quattro and Quattro H, could change that.

    Teasing with the details earlier in February, Sigma released the pricing and availability of the new mirrorless models earlier today. The 39-megapixel SD Quattro appears to be the replacement for the 2012 SD1 Merrill. That model was released at a pricey $2,300. But the SD Quattro? That's coming in at a $799 list price, or $999 with a 30mm f/1.4 art lens.

    Related: Sigma's new mirrorless cameras boast medium-format quality images

    With such a big price drop, that positions the Quattro as a viable option for mirrorless shooters, considering it sports an APS-C sensor. The camera also uses a nine-point autofocus. The 3.6 fps RAW burst speed isn't the best around (and that's probably because it has a higher resolution than most), but it does come with a 14-shot buffer. The camera's magnesium alloy build is also weather-sealed.

    "The cameras are truly exciting and showcase some great advances including a new mirrorless design, updated auto-focusing system, a rugged build, and paired with our renowned 30mm 1.4 Art lens, make for an extraordinary pair." said Mark Amir-Hamzeh, president of Sigma Corporation of America.

    The SD Quattro H is almost identical to the Quattro, but has more megapixels at 51. That megapixel boost makes the RAW images from the H measure 6,192 x 4,152 while the less expensive version has 5,424 x 3,616. The price for the H is not yet available.

    The Sigma SD Quattro is expected to hit shelves next month.

    Along with the price and release date for the Quattro, Sigma also shared additional details on the EF-630 external flash. The company's latest flash, it features a new docking station, so users can update the flash with a computer. The flash includes a high-speed sync mode and wide-angle illumination. The Sigma mount will be available in July for $379, with models compatible with Nikon, Canon, and other manufacturers expected to arrive at a later date.


    Source: A $799 price just made this high-resolution Sigma a reasonable mirrorless choice

    Saturday 25 June 2016

    Hasselblad X1D medium format camera

    50 MP Hasselblad X1DThe 50MP CMOS sensor captures the finest details with true natural colours. The X1D's high-resolution rear LCD offers touch control for all aspects of the camera's features. The elegant icon-based user interface speeds access to customisation options along with intuitive playback functions such as swipe and pinch to zoom. The camera also boasts a 2.4 MP electronic viewfinder for bright, crisp viewing even under difficult lighting conditions.

    Amazing image quality in the palm of your handBy opting for a mirrorless design, Hasselblad has been able to take the 50MP CMOS sensor and pack it into a footprint smaller than most full frame 35mm cameras. For the very first time, photographers have a camera that is no larger than a small format rangefinder, but offers the quality that only Hasselblad medium format can give. The X1D can capture up to 14 stops of dynamic range, allowing for unprecedented detail - from the deepest shadows to the brightest highlights. With a range covering 1/2000th to 60 minutes, any situation, day or night can be captured effortlessly.

    Hasselblad lensesTo enhance the entirely new camera design Hasselblad produced a new range of autofocus lenses specifically engineered to match the high resolution capability of the X1D. The superb new XCD lenses deliver edge-to-edge sharpness in a compact form to elegantly match the slim build of the body. Existing H System users also have the flexibility to use their existing lenses with the X1D by the way of an optional adapter.

    RAW file processing softwareThe powerful, free image processing software, which already delivers the best quality RAW file processing, has been updated and expanded with new features that work seamlessly with the Hasselblad X1D. You can also preview your RAW video files and export to Apple ProRes format for use in any popular desktop editing software. In addition, it is Adobe Photoshop and Adobe Photoshop Lightroom compatible.

    Hasselblad X1D camera featuresThe Hasselblad X1D has been created with passionate photographers in mind, opening up Hasselblad to a new generation of creatives. Ideal for those who want to create the highest quality medium format images with a straightforward and easy to use camera that can fit in the palm of your hand. Weighing just 725g and including HD video, Wi-Fi and built-in GPS, the X1D is a trusted partner and ideal travel companion. The robust exterior is dust and weather proof, providing durability to take with you wherever you go.
    Source: Hasselblad X1D medium format camera

    A $799 price just made this high-resolution Sigma a reasonable mirrorless choice

    Sigma may be known more for its lenses, but a surprising price drop on the company's latest mirrorless cameras, the Quattro and Quattro H, could change that.

    Teasing with the details earlier in February, Sigma released the pricing and availability of the new mirrorless models earlier today. The 39-megapixel SD Quattro appears to be the replacement for the 2012 SD1 Merrill. That model was released at a pricey $2,300. But the SD Quattro? That's coming in at a $799 list price, or $999 with a 30mm f/1.4 art lens.

    Related: Sigma's new mirrorless cameras boast medium-format quality images

    With such a big price drop, that positions the Quattro as a viable option for mirrorless shooters, considering it sports an APS-C sensor. The camera also uses a nine-point autofocus. The 3.6 fps RAW burst speed isn't the best around (and that's probably because it has a higher resolution than most), but it does come with a 14-shot buffer. The camera's magnesium alloy build is also weather-sealed.

    "The cameras are truly exciting and showcase some great advances including a new mirrorless design, updated auto-focusing system, a rugged build, and paired with our renowned 30mm 1.4 Art lens, make for an extraordinary pair." said Mark Amir-Hamzeh, president of Sigma Corporation of America.

    The SD Quattro H is almost identical to the Quattro, but has more megapixels at 51. That megapixel boost makes the RAW images from the H measure 6,192 x 4,152 while the less expensive version has 5,424 x 3,616. The price for the H is not yet available.

    The Sigma SD Quattro is expected to hit shelves next month.

    Along with the price and release date for the Quattro, Sigma also shared additional details on the EF-630 external flash. The company's latest flash, it features a new docking station, so users can update the flash with a computer. The flash includes a high-speed sync mode and wide-angle illumination. The Sigma mount will be available in July for $379, with models compatible with Nikon, Canon, and other manufacturers expected to arrive at a later date.


    Source: A $799 price just made this high-resolution Sigma a reasonable mirrorless choice

    Friday 24 June 2016

    Hands-on: Hasselblad’s wonderful X1D is the Tesla of high-end photography

    If you're a photography nerd at all, then you've probably already heard about Hasselblad's new X1D,  the first ever mirrorless camera with a digital medium format sensor. I was lucky enough to spend a bit of quality time with it after it's announcement.

    Head on over to our original X1D post for more technical specs.

    A big deal in a small package

    Medium format cameras are the supercars of digital photography. They deliver extremely good performance, but are totally impractical for everyday use and way out of most people's price range, generally starting over $20,000 (Pentax's 645Z is the exception, but it's still huge).

    Hasselblad X1D

    All those factors mean digital medium format cameras are generally relegated to slow, methodical studio and landscape shoots on a tripod. They're just too big and expensive.

    But the X1D is not. It has the second largest sensor Hasselblad offers, about 68 percent larger than 'full-frame' ones in prosumer cameras like the Nikon D5 or Sony A7R II. Yet it's only slightly larger than many high-end mirrorless cameras, and a lot smaller than the best DSLRs.

    X1D, Leica SL, Nikon D800E, Fuji X-Pro 1Hasselblad X1D, Leica SL, Nikon D800E, Fuji X-Pro 1

    Point is, the X1D is a camera you can carry every day in a small bag. That's a complete first for medium format. And though $9,000 is still a hefty price, it's a lot easier to swallow than $26,000. It pushes Hasselblad firmly into competition with the likes of Leica or Canon and Nikon's most expensive cameras, especially if your income revolves around photography or you just need an occasional rental.

    Using it

    Hasselblad was quick to point out that there are several kinks in the pre-production model I tested, but the camera felt reassuringly solid, with ample metal and comfortable rubber grips to support the large lenses you'll be using. The term 'sexy' was tossed around, and I'm inclined to agree. It's a lot more like something Apple might make than the amorphously utilitarian design of most medium format cameras, or even Hasselblad's old rebranded Sony's.

    Hasselblad X1D

    That design finesse extends to the UI as well, with most interactions revolving around a 3-inch touchscreen. While I can already hear a lot of photographers groaning, the X1D's UI borrows heavily from smartphones – with large fonts and icons – rather than the clunky UIs of most touchscreen cameras. You can pinch to zoom, scroll through exposure values, fly through menus, and adjust most parameters you see on screen with just a tap.

    If you still hate the idea of using a touchscreen to adjust settings, there are still two control dials and dedicated buttons for ISO and white balance, focusing modes, drive modes, exposure lock, etc. My favorite bit of hardware is the mode dial which you can lock by clicking it into the body itself.

    I think Hasselblad's nailed the ergonomics. The touchscreen menus were quicker and more intuitive than using dials or a directional pad, but everything I want to adjust mid-shoot – exposure parameters, focus settings, and white balance – I can do with hardware controls.

    You'll be spending most of your time be using a large and bright EVF. Hasselblad didn't share the magnification, but suffice to say it was probably the largest EVF I've used, and at a 1024 x 768 resolution (2.36 MP) it's plenty sharp. It'll take traditional medium format users some getting used to not seeing actual reflected light, but all of us weaned on mirrorless have come to accespt the advantages of an EVF by now.

    Hasselblad X1D

    The refresh rate and contrast-based autofocus could be faster, but it was a preproduction model and rep assured me it's being improved before launch. Besides, the~2fps continuous shooting rate means this isn't exactly meant to be an action camera.

    I wasn't able to keep any images and I can't speak much to image quality from shooting in a small indoor space anyway, but given this is the same exact sensor in Hasselblad's $26,000 H6D-50c with a few processing improvements, I suspect it'll be pretty darn good (you can review some 8MP official samples here, or check out images from other Hasselblads).

    As for the lenses, I tried out both the 45mm F3.5 and 90mm F3.2 (24mm F2.8 and 70mm F2.5 in full frame terms). They were chunky beasts that made the camera slightly front heavy (you'll generally want to use a two-hand grip) but still small enough to fit in your camera bag.

    My main concern is that those aperture equivalents aren't very exciting if you're looking at medium format for the shallow depth of field advantages. But then again, the format's strength has always been with wide-angle shots, and Hasselblad tells me a 30mm lens (24mm equivalent) is coming to Photokina in September.

    Medium format and the future

    Hasselblad X1D

    Turning down the hype a bit, it's important to remember that current high-end cameras of all shapes and sizes are already really good.

    I've been shooting Micro Four Thirds professionally for four years, and the only reason I'd personally want a larger sensor is for the aforementioned shallow depth of field benefit. There are official lenses for my relatively small-sensor camera that can out-bokeh the X1D. And full frame probably strikes a better balance between available lenses and sensor size if you want maximum depth of field control.

    Still, many photographers argue that medium format's dynamic range, color accuracy, and per-pixel sharpness are unmatched (photographer Ming Thein has a great write-up here), particularly if you want to print your photos. The X1D's portability opens widens a realm of photography that has generally eluded the public eye.

    Hasselblad X1D

    Street photography, smaller weddings, and urban exploration will see a sudden influx of photos with the format. Future iterations of the series might be fast enough to be legitimate sports camera. 4K or 8K video would look spectacular. Reporters even joked about medium format selfies. But I mean, why not?

    (Well, other than the vanity of a taking a selfie with $10,000+ worth of gear.)

    Returning to the supercar analogy, the X1D is doing for photographers what Tesla did for drivers with the Model X. It brought certain aspects of supercar performance down to a somewhat reasonable price, and more importantly, did so in a vehicle you can drive to work every day.

    In much the same way, the X1D is bringing the highest form of digital photography into everyday life. Wherever that leads, one thing's clear: everyone else will have to step their game up.

    X1D-50C on Hasselblad

    Read next: Future tech, total protection: Amaryllo iCamPRO FHD security camera


    Source: Hands-on: Hasselblad's wonderful X1D is the Tesla of high-end photography

    Hasselblad's X1D is the world's first medium format mirrorless camera

    The world's first seriously compact digital medium format camera.

    Hasselblad, as we've come to see, has been a notable game changer in the world of photography. The 175-year-old Swedish imaging giant has been one of the biggest innovators of medium format and full frame cameras, pushing the boundaries within which we confine our daily dose of photography to. The Hasselblad X1D here is precisely what Hasselblad does best - bring about the next level of innovation in the field of cameras.

    The Hasselblad X1D is the world's first medium format camera that can practically fit on your palm. It's still large in comparison to the other mirrorless cameras in the market, but none house as large an image sensor as the X1D. At 725 grams, the Hasselblad X1D is about half the weight of a conventional medium format camera. To quickly run through the specifications, it packs in a 50-megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor with 14-stop dynamic range, native ISO range of up to 25600, shutter speed range from 1/2000th of a second to 60 minutes with the new Hasselblad XCD lenses, 16-bit colour definition, max capture rate of 2.3 frames per second, a 24-bit colour touch TFT display, front-mounted IR filter and a 2.36MP, 1024x768-pixel electronic viewfinder.

    The Hasselblad X1D can shoot RAW in 3FR (with non-applied analogue calibration data, unlike FFF-format RAW), with average photograph size marked at 65MB, and 8-bit TIFF photographs with average photo size of 154MB. The X1D features a Nikon-compatible hot-shoe, dual-SD card slots, integrated WiFi, GPS, a mini-HDMI port and even a USB-C port. The Aluminium-milled casing is weather- and dust-sealed, adding durability to the compact, medium format body.

    Hasselblad has realised the needs and callings of the present market, and wants to be more inviting to more photographers. The addition of integrated connectivity and location modules along with the USB-C port is a crucial symbol of the Swedish camera-maker's intent. Alongside, the new lineup of XCD lenses are expected to bring sharper, higher definition optics to the camera. Hasselblad has introduced two lenses under the XCD lineup, a 45mm f/3.5 lens priced at $2,295, and a 90mm f/4.5 lens priced at $2,695. The X1D body will cost $8,995 (approx. Rs. 6,05,000), while the 45mm f/3.5 kit costs $11,290, and the two-lens kit will cost $13,985. The Hasselblad X1D will also be compatible with the 12 H-System lenses with an adapter that is to be purchased separately.

    The Hasselblad X1D is the first camera that brings the excellence of Hasselblad's optics with a large, medium format sensor to a compact, durable shell in mirrorless mechanism. Sony is the other leading player in the realm of professional mirrorless cameras, with its Alpha 7R presenting a 35mm full frame sensor in mirrorless mechanism, native ISO range of up to 51200, and operational weight of 465 grams. Priced at Rs. 1,24,990 (body-only), the Sony Alpha 7R is one of the best mirrorless cameras in commercial usage now. What Hasselblad brings to the table are higher dynamic range, a larger sensor capable of shooting higher resolution photographs, faster processing times and the goodness of Phocus to process RAW stills.

    Demonstrations of the Hasselblad X1D begin in July, and unit shipments begin in August 2016. Check out some of the sample photographs put up by Hasselblad as testament to the X1D's imaging prowess, added below. You can also see the entire presentation unveiling the X1D in the video embedded at the bottom. Happy gaping at one-of-those-cameras-that-you-will-drool-over-and-dream-of-owning-one-day.

    Where to buy
  • Sony NEX-3K body with 18-55mm...

  • Sony NEX-3K Mirrorless Camera...

  • NIKON DSLR D800

  • Interesting Galleries Top 3 compact advanced point &...
  • Top Budget Point & Shoot Cameras under Rs. 10,000

    Top cameras to buy in India under Rs. 30,000

  • Best high-end DSLR cameras to buy this Diwali

    Best budget DSLR cameras to buy this Diwali

  • Nikon D610

    Best cameras to buy under Rs. 35,000

  • Fujifilm X20

    Sony Alpha 7R II, Sony RX100 IV and Sony RX10 II: First...

  • Related Articles ​
    Source: Hasselblad's X1D is the world's first medium format mirrorless camera

    Thursday 23 June 2016

    The Hasselblad X1D puts a lot of camera in your palm (hands-on)

    When you think about how cumbersome the gear was in the early days of photography, it's boggling how much camera you can pack into a shoulder bag today. Hasselblad ups the boggle quotient with its X1D, the first medium-format model that can fit comfortably into a midsize camera bag. Normally, medium-format cameras have big bodies in part because of the size of the mirror they need to accommodate. By going mirrorless, Hasselblad cut the weight in half, producing a schlep-friendly camera that professionals and well-off enthusiasts spoiled by large-sensor photo quality may be wiling to pay a premium for.

    That premium runs to about $9,000 or £5,990 for the body, $11,300 with the XCD 45mm f3.5 lens or $14,000 with both the 45mm and XCD 90mm f4.5 lenses. (Pricing for the UK and Australia wasn't available for the kits. The US prices convert to £7,685 and £9,520, or AU$11,975, AU$15,040 and AU$18,640.) Though the company is shipping the lenses for the X1D, it will also offer an H lens adapter so that you can use all of Hasselblad's H-mount lenses with it. Keep in mind that using the larger lenses can defeat the purpose of the compact mirrorless body.

    X1D series launches with the X1D-50c, essentially an adapted-for-mirrorless version of its HDC-50c, and two new lenses specifically designed for the X1D's mount, dubbed the X mount. An interesting side note is the reason it took so long for the camera to become a reality. According to a Hasselblad representative, the lack of the necessary money and vision stalled the development of a medium-format mirrorless. It wasn't until about two years ago that the powers-that-be at the company stopped worried about cannibalizing sales of its pricey reflex (mirrored) cameras. Where TPTB go, investors follow.

    It's roughly the same size as the full-frame Leica SL -- which is huge for a mirrorless -- or a cheap dSLR like the Canon EOS Rebel T6/1300D, but smaller and lighter than H asselblad's HDC models. The X1D-50c incorporates the same 42.8x32.9mm, 5.3-micron-squared-pixel sensor as the HDC-50c, but couples it with an electronic viewfinder instead of an optical one. While the 50c-size sensor isn't large for medium-format, it's certainly larger than that of a full-frame camera. Its benefit lies in providing more control over background blur and much larger pixels for a greater dynamic range; 14 stops, as with the other Hasselblads.

    Relative sensor sizes for medium format vs. full frame. The X1D has the same sensor as the H6D-50c.

    Lori Grunin/CNET

    In fact, many of its specifications match that of the reflex (mirrored) model, including the touchscreen and interface, 1.7-2.3fps burst speed and 1080/30p video recording. It's dust- and weather-sealed, with an ISO range of ISO 100-ISO 12800 and dual SD-card slots.

    It's pretty well designed, too, with a comfortable grip, excellent touchscreen, large electronic viewfinder and pretty well-designed dust- and weather-sealed aluminum body. The mode dial is cleverly designed; you pop it up to rotate it and push it down flush with the body to lock. There's a quiet manual mode that suppresses the aperture noise by stopping it down.

    While most of the manual controls operate via the touchscreen, there are a few direct-access buttons for sensitivity, white balance and focus, plus front and back adjustment dials.

    The biggest potential disappointment is the autofocus, a contrast-based system that reps couldn't provide any details o n, and one that isn't as snappy as I'm used to. The lens itself seems slow-moving and hunts a bit before locking. The camera's also pretty slow to start up, which is typical of medium-format cameras. That usually doesn't matter as much in a studio where most medium-format models are used as it does for the more knockaround shooting you expect to do with the X1D. That may pose a challenge for Hasselblad as it takes on smaller, far less expensive full-frame models like the Sony A7R II, which produce excellent photo quality in more feature-packed, faster designs.

    Still, I can't wait to head out street-shooting with it. Availability starts at the end of August or beginning of September, though I've already seen preorders available via some specialty outlets. Start saving now.

    Editors' note: This story has been updated since its original publication with hands-on photos, video and impressions.


    Source: The Hasselblad X1D puts a lot of camera in your palm (hands-on)

    Hasselblad enters the mirrorless game and this time it's not a rebranded Sony

    Hasselblad, along with Mamiya, is one of the most recognised names in medium-format photography. The Swedish camera-maker has announced the X1D, a digital medium-format camera, that features a mirrorless design that's almost as compact as a Sony A7R II.

    Hasselblad has for long had an association with Sony. In fact, the company's entry into the mirrorless market was by rebranding Sony's mirrorless cameras, adding bits of wood and selling them at exorbitant prices. However, this time Hasselblad's offering is completely original.

    At the heart of the Hasselblad X1D is a Sony-made 50MP medium-format sensor. While full-frame sensor on the Sony A7R II measures 35.9 x 24 mm, the Hasselblad X1D's sensor measures 44 x 33 mm. The camera features a hotshoe and has a max flash-sync speed of 1/2000 sec, which also happens to be its fastest shutter speed setting.

    The mirrorless camera also features an electronic viewfinder and a touchscreen rear display.

    "The X1D marks a pivotal point in Hasselblad's rich 75-year history," Hasselblad CEO Perry Oosting said in a statement. "This camera makes medium format photography available to a new generation of Hasselblad users, while pushing the existing limits of photography to new heights."

    The launch comes after Oosting confirmed that the era of Sony rebranded Hasselblad mirrorless cameras has come to an end.

    The X1D mirrorless camera also opens up a new line of Hasselblad lenses. The company has also developed a new range of autofocus lenses. The lens series has been named XCD and the company has announced two lenses with the XCD mounts — a 45mm and a 90mm lens.

    According to DPReview, Hasselblad will add more lenses to its mirrorless lineup, which will include a 30mm lens. In addition to this, Hasselblad will also introduce a lens adaptor for the X1D mirrorless camera that will allow users who have Hasselblad's H-series lenses to mount them on the new camera.


    Source: Hasselblad enters the mirrorless game and this time it's not a rebranded Sony

    Wednesday 22 June 2016

    Hasselblad breaks new ground with mirrorless X1D

    Pro photographers and well-off enthusiasts who want top-flight photo quality but need portability take note: Hasselblad joins the march toward mirrorlessness, debuting the world's first medium-format interchangeable-lens camera. Its new X1D series launches with the X1D-50c, essentially an adapted-for-mirrorless version of its HDC-50c, and two new lenses specifically designed for the X1D's mount.

    While it's not cheap, it's not nearly as expensive as you might expect: $8,995 or £5,990 for the body, $11,300 with the XCD 45mm f3.5 lens or $14,000 with both the 45mm and XCD 90mm f4.5 lenses. (Pricing for the UK and Australia wasn't available for the kits. The US prices convert to £7,685 and £9,520, or AU$11,975, AU$15,040 and AU$18,640.)

    Roughly the same size as the full-frame Leica SL but smaller and lighter than Hasselblad's HDC models, the X1D-50c incorporates the same 42.8 x 32.9mm sensor as the HDC-50c, but couples it with an electr onic viewfinder instead of an optical one. While the 50c-size sensor isn't large for medium-format, it's certainly larger than that of a full-frame camera. Its benefit lies in providing more control over background blur and much larger pixels for a greater dynamic range; 14 stops, as with the other Hasselblads.

    Relative sensor sizes for medium format vs. full frame. The X1D has the same sensor as the H6D-50c.

    Lori Grunin/CNET

    In fact, many of its specifications match that of the reflex (mirrored) model, including the touchscreen and interface, 1.7-2.3fps burst speed, and 1080/30p video recording. It's dust-and-weather sealed, with an ISO range of ISO 100-ISO 12800 and dual SD-card slots.

    Though the company is shipping the two aforementioned XCD-mount lenses for the X1D, it will also offer an H Lens adapter so that you can use all of its H lenses with it.

    The camera has autofocus, but medium-format focus performance is typically not quite as fast as what we've become accustomed to; that may pose a challenge for Hasselblad as it takes on smaller, far less-expensive full-frame models like the Sony A7R II.

    I'll be getting some time with the camera this afternoon, so stay tuned for an update with my hands-on impressions.


    Source: Hasselblad breaks new ground with mirrorless X1D